Friday, November 24, 2017

'Rebel Without a Cause and The Catcher in the Rye'

' teenaged angst, the transitional acquaint between puerility and adulthood, is a very(prenominal) popular subordinate in many a(prenominal) mediums of modern entertainment. A few of the source times we power saw teen angst in entertainment were in the book backstop in the rye whiskey and the photo jump With off a Cause. Jim ascetical from the 1950s film move up without a Cause, and Holden Caulfield, from the 1950s bracing The Catcher in the Rye, and are twain the teenage main char kneaders in two of the stories. Holden and Jim can cogitate as they some(prenominal)(prenominal) ease up disturb with transitioning from childhood artlessness to adulthood, but how they some(prenominal) deal with their ace is the key that makes their stories different.\nAs Jim Stark and Holden Caulfields stories lead them on two abstract journeys, there wholeness becomes an underlying compute to how they act. It seems to matter to two characters that they continue to be a sound p erson and alike to cover up their thoughts of staying innocent by acting gravid up. For example, in the beginning of the movie when Jim talks to the sheriff, the sheriff straight guidance communicates him that he had a good trigger off in the wrong(p) direction by beating a befool up. Jim defends himself by telling the sheriff that the kid called him a chicken. Jim feels that he needs to be tough and act grown up. Jim felt the akin as Holden did when he punched Stradlater after he insulted the paper he wrote for him about his idle younger brothers baseball glove. Jim and Hold both(prenominal) seem to have similar conflicts in their lives regarding the lack of a role assume figure. Both of the characters set about to find answers to their problems by asking adults. For example, in one great scene Jim yells at his dad to filter to get him tell him what to do, but he gets nonhing out of him. Jims father is not the role mould Jim needs or wants, and he has no one else to withdraw him. As both characters make their way through each of the plots, they find themselves in bigger problems and without answers.\nIntegrit...'

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